{"title":"Rare Books \u0026 Special Editions","description":"","products":[{"product_id":"the-adventures-of-guille-and-belinda-and-the-enigmatic-meaning-of-their-dreams-first-edition-signed-br-alessandra-sanguinetti","title":"The Adventures of Guille and Belinda and The Enigmatic Meaning of Their Dreams (First edition, signed)","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003eFor more than two decades, Alessandra Sanguinetti has been photographing the lives of Guillermina and Belinda, two cousins living in rural Argentina, as they move through childhood and youth toward womanhood. This volume, originally published in 2010 and reissued now as the first instalment of a trilogy, chronicles the first five years of their collaboration. Sanguinetti’s images portray a childhood that is both familiar and exceptional. The farmlands of western Buenos Aires province are a particular mix of the modern and traditional, where life is lived in consonance with animals and rugged landscapes. Against this backdrop, Guille and Belinda go through the childhood rites of dressing up and make believe, exploring and appropriating the world around them as they go. As they slip between roles, alternately performing for and being caught by Sanguinetti’s camera, the profound bond between the two girls is unmistakable. Approaching the precipice of early adolescence, their games are imbued with the poignant weight of their dreams and desires as the world of play meets that of reality. By depicting the lives of women and girls within the conventionally masculine world of Argentinan gauchos and farmers, Sanguinetti’s book interrogates the frameworks of mythologies of all kinds, honouring lives that are usually unseen. \u003cem\u003eThe Adventures of Guille and Belinda\u003c\/em\u003e is a portrait of rural childhood at once quiet and poetic, in which the fantastic and the mundane are intimately entwined.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9oChVkap7zY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49854617977124,"sku":"9781913620134_1S","price":425.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/cover496_3cfaace0-3e19-4929-b981-2f93914d878b.jpg?v=1770427617"},{"product_id":"the-artists-books-special-edition-br-francesca-woodman","title":"The Artist's Books Special Edition","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003eThis luxurious box set includes facsimiles of Francesca Woodman’s eight remarkable artist’s books, containing replicas of her original silver gelatin prints and transparencies, each tipped in by hand. Every book is unique in its production and form, reflecting the variety of materials in Woodman’s original works. These eight volumes are collected together in a clamshell slipcase, bound in a mulberry-coloured Japanese material.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAs well as including the known artist’s books by Woodman, notably \u003cem\u003eSome Disordered Interior Geometries\u003c\/em\u003e, this box set also presents two newly discovered books that have never before been seen or exhibited.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe books which Woodman repurposed for her own process were bought in local shops and flea markets during her travels in Italy and provide intriguing backgrounds onto which she pasted her prints and transparencies. Collected together, these objects demonstrate a sophisticated relationship to narrative and sequence and offer a new understanding of the scope of Woodman’s engagement with the book form.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eLimited edition of 100 copies\u003cbr data-mce-fragment=\"1\"\u003eEmbossed clamshell slipcase covered with Japanese paper\u003cbr\u003e28.5 x 24.5 x 3cm\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eISBN 978-1-913620-88-2SE\u003cbr\u003eJanuary 2024\u003cbr\u003e€2600 £2000 $2700\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":50158088159524,"sku":"9781913620882SE","price":4250.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/FrancescaWoodman_SE_ff5924aa-cf52-4aeb-a5ba-14e1de50e61b.jpg?v=1776165853"},{"product_id":"el-porque-de-las-naranjas-br-ricardo-cases","title":"El porqué de las naranjas","description":"\u003cdiv class=\"gallery__caption\" itemprop=\"caption\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eAt first sight, reality appears chaotic and anarchic. If events have any kind of logic to them, it lies well hidden behind an overlay of banality so thick as to make it invisible. And yet, at certain exceptional moments, life slackens and reveals itself. The automaton allows its innards be glimpsed, and its mechanism becomes momentarily evident as the logic of chaos.\u003c\/div\u003e\n\u003cdiv class=\"gallery__caption\" itemprop=\"caption\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003eEl porqué de la naranjas\u003c\/em\u003e, Spanish photographer Ricardo Cases does not document the surface symptoms of reality, but instead renders the non-visible, the mechanistic. In his immediate surroundings – the fertile region of Levante in Spain – the photographer reveals ephemeral moments that might otherwise go unnoticed. Out on the streets he sets out to make visible the laws that regulate the universe, hunting down the elementary participles in the same vein as a nuclear physicist attempting to identify the Higgs particle. Cases uses the landscape as a laboratory, a place where these mechanisms can manifest themselves freely. The work is not a portrait of Levante itself, but of the spirit of Levante, and thus of the spirit of Spain as a whole.\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49854784700708,"sku":"9781910164044","price":160.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/Elporquedelasnaranjas1.jpg?v=1773151412"},{"product_id":"services-br-miranda-july","title":"Services","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003c\/strong\u003eA Limited Edition book sculpture by the renowned artist, writer and film director, Miranda July. At the very moment she realised that the covid emergency was taking grip of the globe, Miranda July received an unsolicited phone call offering ‘services’.\u003cbr\u003e\u003cbr\u003e“Normally I would have hung up; I’m still surprised I didn’t. I suppose when your world has just been blasted open you are distraught, yes, but also: open. I stepped outside and began answering the caller’s questions. It became obvious that this offer was directed towards a very specific niche of hungry, unaffiliated people: self-published authors. Through some error I had ended up on this list.”\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOver the course of the first six months of the pandemic, July communicated extensively with the caller, Richie Jay Benedicto, a trans woman in the Philippines. The resulting intimate exchange of ideas and images has been designed by July in to a book sculpture. The hand-made leporello (concertina) unfolds to more than 7 metres (23 feet) wide and includes 4 museum grade inkjet prints. \u003cspan data-mce-fragment=\"1\"\u003eConsisting in the following elements: a hand-made leporello bound (concertina) hardback book comprising 14 pages (each 516mm wide x 328 high); four museum grade inkjet prints (each signed by MJ, numbered 1\/25 to 25\/25); housed in a handmade slipcase.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEach volume numbered 1\/25 - 25\/25 and signed by Miranda July and Richie Jay Benedicto.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49854843257124,"sku":"Services","price":7500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/ServicesFRONT.jpg?v=1776165742"},{"product_id":"a-pound-of-pictures-special-edition-br-alec-soth","title":"A Pound of Pictures Special Edition","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003c\/strong\u003eThe special edition comprises a signed and numbered copy of the first printing of the book; a signed and numbered inkjet print; and 5 original unique vernacular prints selected by Soth from his personal collection and inserted into the book, all housed in a printed cardboard box held together with coloured rubberbands.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49854850400548,"sku":"9781913620110SE","price":2150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/APoundofPictures_SEFRONT.jpg?v=1778585685"},{"product_id":"the-british-isles-special-edition-br-jamie-hawkesworth","title":"The British Isles Special Edition","description":"\u003cdiv class=\"\"\u003e\n\u003cspan\u003e\u003cem\u003e\u003ci\u003eThe British Isles\u003ci\u003e\u003c\/i\u003e\u003c\/i\u003e\u003c\/em\u003e\u003ci data-mce-fragment=\"1\" class=\"\"\u003e \u003c\/i\u003eis an account of thirteen years of life across the United Kingdom, as seen through the lens of Jamie Hawkesworth. In this sprawling sequence of portraits and landscapes, Hawkesworth surveys the characters and terrains that make up the everyday fabric of his home country: schoolchildren and shopworkers, markets and estates, priests and professionals, cities and construction sites.\u003cbr data-mce-fragment=\"1\" class=\"\"\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003eThese photographs chart an alternative history of this eventful period of British history; a period punctuated by austerity, referenda, celebration, and conflict. And yet as much as a historical document this book is an exercise in curiosity, presenting a radically democratising portrait of the United Kingdom in which individuals, buildings and natural scenes are imbued with Hawkesworth's generous and dignifying eye. \u003c\/span\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49854921638180,"sku":"9781913620141SE","price":1600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/cover564.jpg?v=1778585661"},{"product_id":"the-british-isles-br-jamie-hawkesworth","title":"The British Isles","description":"\u003cdiv class=\"\"\u003e\n\u003cem\u003e\u003ci\u003eThe British Isles\u003ci\u003e\u003c\/i\u003e\u003c\/i\u003e\u003c\/em\u003e\u003ci data-mce-fragment=\"1\" class=\"\"\u003e \u003c\/i\u003eis an account of thirteen years of life across the United Kingdom, as seen through the lens of Jamie Hawkesworth. In this sprawling sequence of portraits and landscapes, Hawkesworth surveys the characters and terrains that make up the everyday fabric of his home country: schoolchildren and shopworkers, markets and estates, priests and professionals, cities and construction sites.\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr data-mce-fragment=\"1\" class=\"\"\u003eThese photographs chart an alternative history of this eventful period of British history; a period punctuated by austerity, referenda, celebration, and conflict. And yet as much as a historical document this book is an exercise in curiosity, presenting a radically democratising portrait of the United Kingdom in which individuals, buildings and natural scenes are imbued with Hawkesworth's generous and dignifying eye. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003cstrong style=\"font-size: 1rem;\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/B9leaKSS2zw\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Signed","offer_id":50270900257060,"sku":"9781913620141S","price":1065.0,"currency_code":"AUD","in_stock":true},{"title":"Unsigned","offer_id":50270900224292,"sku":"9781913620141","price":1000.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/cover562.jpg?v=1774956189"},{"product_id":"a1-the-great-north-road-br-paul-graham","title":"A1 - The Great North Road (First MACK edition, First printing)","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003ePlease note: Rare edition - any orders containing this title will be shipped from the UK, and may be subject to additional charges upon delivery.\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eA1 - The Great North Road\u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e was Paul Graham's first book, published in 1983. Despite the UK having a vibrant photographic scene at the time, there were only handful of monographic books - Chris Killip and Martin Parr had one each - and no dedicated publishers or distributors. Graham had to self-publish \u003c\/span\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eA1\u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e, but as the first colour book, it had a startling impact on British photography. Uniting the tradition of social documentary with the fresh approach of new colour, \u003c\/span\u003e\u003cem style=\"font-size: 0.875rem;\"\u003eA1 - The Great North Road\u003c\/em\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e was transformative on photography in the UK and paved the way for a new generation of British colour photographers to emerge, from Nick Waplington to Anna Fox, Richard Billingham to Tom Wood. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003eSpanning the full length of England and into Edinburgh, Graham travelled repeatedly along the 'Great North Road' with a large format camera, to record the people, buildings, and landscape of early 1980's Britain. Now 40 years old, this book is as much art as it is a historical document of the years of Margaret Thatcher’s government and the UK’s declining industrial base. \u003cbr\u003e\u003cbr\u003eGraham went on to complete \u003cem\u003eBeyond Caring\u003c\/em\u003e (1985) and \u003cem\u003eTroubled Land\u003c\/em\u003e (1986), both of which became iconic bodies of work. Originally self-published and now rare, Graham's 1980's trilogy of books will be re-published over the coming years by MACK.\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":50268667117860,"sku":"9781912339945_1","price":215.0,"currency_code":"AUD","in_stock":true},{"title":"Signed","offer_id":50268667150628,"sku":"9781912339945S_1","price":260.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/cover402.jpg?v=1770426781"},{"product_id":"ciprian-honey-cathedral-br-raymond-meeks","title":"ciprian honey cathedral","description":"\u003cp class=\"p1\"\u003e\u003cem\u003eWhat is there between the branch and apple when it falls? \u003cbr\u003e\u003c\/em\u003e\u003cem\u003eWe have seen it—we would recognize it anywhere. Yet of an evening we are told \u003c\/em\u003e\u003cem\u003enothing is there.\u003cbr\u003e\u003c\/em\u003e- Wright Morris\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRaymond Meeks is renowned for his use of photography and the book form to poetically distill the liminal junctures of vision, consciousness and comprehension. In \u003cem\u003eciprian honey cathedral\u003c\/em\u003e, he brings this scrutiny close to home, delicately probing at the legibility of our material surroundings and the people closest to us.  \u003cbr\u003e\u003cbr\u003eMeeks has long been fascinated by the way we construct the world around us; how we carry our possessions, these accumulated comforts, inheritances, markers of material success; how we adorn homes with trees and shrubs, a mantle clock to count the hours. Stumbling across an abandoned house or unkempt lawn becomes a search for common clues to tiny hidden transgressions.  \u003cbr\u003e\u003cbr\u003eThis question of knowledge and understanding is perhaps most drastic in our solipsistic reality. Meeks also photographed his partner, Adrianna Ault, in the early mornings before she awoke, on the threshold at which daily domestic life converges with the deepest state of sleep. This plight of supine trance is a place of reprieve beneath the surface of consciousness, free from the chaos and uncertainty of the sentient world above, and alludes to the veiled threat that, ultimately, we are utterly unknowable to one another.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":50158378746148,"sku":"9781913620011","price":750.0,"currency_code":"AUD","in_stock":false},{"title":"Signed","offer_id":50158378778916,"sku":"9781913620011S","price":755.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/cover410.jpg?v=1774956143"},{"product_id":"songbook-first-edition-second-printing-1-br-alec-soth","title":"Songbook (First edition, second printing)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e“This is the closest we have to an Americans for our time... CAPOLAVORO!... already hailed critically as a classic... One of the best photo books in a lonnnnng time”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eKnown for his haunting portraits of solitary Americans in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSleeping by the Mississippi\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBroken Manual\u003c\/em\u003e, Alec Soth has recently turned his lens toward community life in the country. To aid in his search, Soth assumed the increasingly obsolescent role of community newspaper reporter. From 2012-2014, Soth traveled state by state while working on his self-published newspaper,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe LBM Dispatch\u003c\/em\u003e, as well as on assignment for the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNew York Times\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand others. From upstate New York to Silicon Valley, Soth attended hundreds of meetings, dances, festivals and communal gatherings in search of human interaction in an era of virtual social networks. With\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSongbook\u003c\/em\u003e, Soth has stripped these pictures of their news context in order to highlight the longing for connection at their root. Fragmentary, funny and sad,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSongbook\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a lyrical depiction of the tension between American individualism and the desire to be united.\u003c\/p\u003e\n\u003cp\u003eAlec Soth (b. 1969) is a photographer born and based in Minneapolis, Minnesota. His photographs have been featured in numerous solo and group exhibitions, including the 2004 Whitney and Sao Paulo Biennials. In 2008, a survey exhibition of Soth’s work was exhibited at Jeu de Paume in Paris and Fotomuseum Winterthur in Switzerland. In 2010, the Walker Art Center produced a traveling survey exhibition of Soth’s work entitled\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eFrom Here To There\u003c\/em\u003e. Soth has been the recipient of numerous fellowships and awards, including the Guggenheim Fellowship (2013). In 2008, Soth founded his own publishing company, Little Brown Mushroom. Soth is represented by Sean Kelly in New York, Weinstein Gallery in Minneapolis, Fraenkel Gallery in San Francisco, and is a member of Magnum Photos.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWatch Alec Soth's Bookshelf Tour \u003ca href=\"https:\/\/mackbooks.co.uk\/pages\/live\" title=\"Alec Soth Bookshelf Tour MACK LIVE\"\u003ehere\u003c\/a\u003e. \u003c\/strong\u003e\u003ca href=\"http:\/\/time.com\/4097317\/best-photobooks-2015\/\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":50158384775460,"sku":"9781910164020_2","price":215.0,"currency_code":"AUD","in_stock":true},{"title":"Signed","offer_id":50158384808228,"sku":"9781910164020S_2","price":270.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/Songbook_Cover1_eaaf37b6-22e7-4df5-bd09-7df0be7238c4.jpg?v=1770426752"},{"product_id":"a-handful-of-dust-first-edition-br-david-campany","title":"a Handful of Dust (First edition)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cem\u003ea Handful of Dust\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis David Campany’s speculative history of the last century, and a visual journey through some of its unlikeliest imagery. Let’s suppose the modern era begins in October of 1922. A little French avant-garde journal publishes a photograph of a sheet of glass covered in dust. The photographer is Man Ray, the glass is by Marcel Duchamp. At first they called it a view from an aeroplane. Then they called it Dust Breeding. It’s abstract, it’s realist. It’s an artwork, it’s a document. It’s revolting and compelling. Cameras must be kept away from dust but they find it highly photogenic. At the same time, a little English journal publishes TS Eliot’s poem\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Waste Land.\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e“I will show you fear in a handful of dust.”\u003c\/p\u003e\n\u003cp\u003eAnd what if dust is really the key to the intervening years? Why do we dislike it? Is it cosmic? We are stardust, after all. Is it domestic? Inevitable and unruly, dust is the enemy of the modern order, its repressed other, its nemesis. But it has a story to tell from the other side.\u003c\/p\u003e\n\u003cp\u003eCampany’s connections range far and wide, from aerial reconnaissance and the American dustbowl to Mussolini’s final car journey and the wars in Iraq.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ea Handful of Dust\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewill accompany Campany’s exhibition of the same name, curated for\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"ttp:\/\/en.le-bal.com\/fr\/mh\/les-expositions\/upcoming-exhibitions\/a-handful-of-dust\/\"\u003eLe Bal, Paris\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(16 October 2015 – 17 January 2016), with works by Man Ray, John Divola, Sophie Ristelhueber, Mona Kuhn, Gerhard Richter, Xavier Ribas, Nick Waplington, Jeff Wall and many others, alongside anonymous press photos, postcards, magazine spreads and movies.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis unusually bound book includes a separate, loose volume held in a well in the middle of the larger volume.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855130140964,"sku":"9781910164389","price":270.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/cover71_932c73b2-80f9-49bd-97d5-ea10c991790d.jpg?v=1749048546"},{"product_id":"redheaded-peckerwood-third-edition-br-christian-patterson","title":"Redheaded Peckerwood (Third edition)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem class=\"\"\u003eRedheaded Peckerwood\u003c\/em\u003e is a work with a tragic underlying narrative - the story of 19 year old Charles Starkweather and 14 year old Caril Ann Fugate who murdered ten people, including Fugate's family, during a three day killing spree across Nebraska to the point of their capture in Douglas, Wyoming. The images record places and things central to the story, depict ideas inspired by it, and capture other moments and discoveries along the way. From a technical perspective, the photographs incorporate and reference the techniques of photojournalism, forensic photography, image appropriation, reenactment and documentary landscape photography. On a conceptual level, they deal with a charged landscape and play with a photographic representation and truth as the work deconstructs a pre-existing narrative. \u003cem class=\"\"\u003eRedheaded Peckerwood\u003c\/em\u003e also utilizes and plays with a pre-existing archive of material, deliberately mixing fact and fiction, past and present, myth and reality as it presents, expands and re-presents the various facts and theories surrounding this story.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eWhile photographs are the heart of this work, they are the complemented and informed by documents and objects that belonged to the killers and their victims - including a map, poem, confession letter, stuffed animal, hood ornament and various other items, in several cases, these materials are discoveries first made by the artist and presented here for the first time. In book form, the work is presented as a sort of visual crime dossier, including pieces of paper which are inserted into the book. The many individual pieces included serve as cues and clues within the visual puzzle. In this way, there are connections that are left for the viewer to be made and mysteries that are left to be solved.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855130403108,"sku":"9781907946141_3","price":320.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/cover352_6afbf34c-74de-4ddc-9073-f00c22173454.jpg?v=1738952125"},{"product_id":"holy-bible-first-printing-br-adam-broomberg-oliver-chanarin","title":"Holy Bible (First printing)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eViolence, calamity and the absurdity of war are recorded extensively within The Archive of Modern Conflict, the largest photographic collection of its kind in the world. For their most recent work, \u003cem\u003eHoly Bible,\u003c\/em\u003e Adam Broomberg and Oliver Chanarin mined this archive with philosopher Adi Ophir's central tenet in mind: that God reveals himself predominantly through catastrophe and that power structures within the Bible correlate with those within modern systems of governance. The format of Broomberg and Chanarin's illustrated \u003cem\u003eHoly Bible\u003c\/em\u003e mimics both the precise structure and the physical form of the King James Version. By allowing elements of the original text to guide their image selection, the artists explore themes of authorship, and the unspoken criteria used to determine acceptable evidence of conflict. Inspired in part by the annotations and images Bertolt Brecht added to his own personal bible, Broomberg and Chanarin's publication questions the clichés at play within the visual representation of conflict.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe signed edition is signed by Adam Broomberg and Oliver Chanarin. \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":50158380974372,"sku":"9781907946417_1","price":850.0,"currency_code":"AUD","in_stock":true},{"title":"Signed","offer_id":50158381007140,"sku":"9781907946417S_1","price":1600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/cover144_865b2316-ea39-45d4-a146-2c0489512402.jpg?v=1726248063"},{"product_id":"zzyzx-br-gregory-halpern-first-edition-signed","title":"ZZYZX (First edition, signed)","description":"\u003cp\u003eThe early settlers dubbed California\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Golden State\u003c\/em\u003e, and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Land of Milk and Honey\u003c\/em\u003e. Today there are the obvious ironies – sprawl, spaghetti junctions and skid row—but the place is not so easily distilled or visualised, either as a clichéd paradise or as its demise. There’s a strange kind of harmony when it’s all seen together—the sublime, the psychedelic, the self-destructive. Like all places, it’s unpredictable and contradictory, but to greater extremes. Cultures and histories coexist, the beautiful sits next to the ugly, the redemptive next to the despairing, and all under a strange and singular light, as transcendent as it is harsh.\u003c\/p\u003e\n\u003cp\u003eThe pictures in this book begin in the desert east of Los Angeles and move west through the city, ending at the Pacific. This general westward movement alludes to a thirst for water, as well as the original expansion of America, which was born in the East and which hungrily drove itself West until reaching the Pacific, thereby fulfilling its “manifest” destiny.\u003c\/p\u003e\n\u003cp\u003eThe people, places, and animals in the book did exist before Halpern’s camera, but he has sewn these photographs into a work of fiction or fantasy—a structure, sequence and edit which, like Los Angeles itself, teeters on the brink of collapsing under the weight of its own strangely-shaped mass.\u003c\/p\u003e\n\u003cp\u003eGregory Halpern was born in 1977 in Buffalo, New York. He has published a number of books, including\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2011),\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eOmaha Sketchbook \u003c\/em\u003e(2009) and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEast of the Sun, West of the Moon\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2014), a collaboration with Ahndraya Parlato. He also edited\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Photographer’s Playbook: Over 250 Assignments and Ideas\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2014). He holds a BA in History and Literature from Harvard University and an MFA from California College of the Arts. In 2014 he was the recipient of a Guggenheim Fellowship.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855136268580,"sku":"9781910164655S_1","price":425.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/cover50_954b9346-8fef-461a-ae50-1b511cfcdd7e.jpg?v=1726247928"},{"product_id":"chizu-maquette-edition-kikuji-kawada","title":"Chizu (Maquette Edition)","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003e\u003cspan style=\"color: #2b00ff;\"\u003ePlease note: Rare edition - any orders containing this title will be shipped from the UK, and may be subject to additional charges upon delivery.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"\"\u003eKawada’s \u003c\/span\u003e\u003cspan class=\"\"\u003e\u003ci\u003eThe Map \/ Chizu\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"\"\u003e is the most famous and sought after book in the history of Japanese photography. D\u003c\/span\u003e\u003cspan class=\"\"\u003eesigned \u003c\/span\u003e\u003cspan\u003ewith the noted graphic designer Kohei Sugiura,\u003c\/span\u003e\u003cspan class=\"\"\u003e \u003c\/span\u003e\u003cspan class=\"\"\u003e\u003ci\u003eChizu\u003c\/i\u003e\u003c\/span\u003e\u003cspan class=\"\"\u003e has seen numerous editions since its original publication \u003c\/span\u003e\u003cspan\u003ein August 1965. I\u003c\/span\u003e\u003cspan\u003en November 2001, \u003c\/span\u003e\u003cspan\u003eNew York Public Library acquired the rarest \u003c\/span\u003e\u003cspan\u003eversion of the book, Kikuji Kawada’s unique, handmade maquette. T\u003c\/span\u003e\u003cspan\u003ehe maquette presents a notably different physicality than that of the published edition\u003c\/span\u003e\u003cspan\u003e—\u003c\/span\u003e\u003cspan\u003emany of the pictures are the same but with variant croppings, tonalities, orientations, and a markedly dissimilar configuration with a pair of jacketed volumes—each nearly twice as large in format as the published version—separated by a black-and-white divider. With its pages made of thin, silvery darkroom prints, folded in half and pasted back-to-back, there are no folios to unfurl, only a progression of intense, full-bleed images. \u003c\/span\u003e\u003cspan\u003eThis MACK version is an \u003c\/span\u003e\u003cspan\u003eexquisite\u003c\/span\u003e\u003cspan\u003e facsimile of the two-volume maquette, and includes an accompanying bilingual booklet featuring new scholarship by Joshua Chuang and Miyuki Hinton, together with an extended interview with the artist, detailing the evolution of one of the greatest photobooks ever made.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e日本写真史の金字塔として名高い川田喜久治の写真集『地図』。著名なグラフィックデザイナー杉浦康平の装丁によるこの写真集は、1965年の刊行以来、2005年と2014年に復刻版が出版されている。2001年秋には、ニューヨーク公共図書館が、極めて貴重な『地図』の構想模型(マケット)を収蔵している。マケットは川田の手製であり、写真集とほぼ同じ作品が収録されているが、イメージのトリミングや階調、向きなどにバリエーションがある。より大きな違いは、二分冊の装丁であり、サイズも出版本の２倍近くある。写真のページには、ごく薄い、複写用の印画紙が使われ、写真同士が貼り合わされている。出版本にある観音開きのページを開いていく形式とは異なり、どれも断ち切りの激しいイメージが連続して現れる。本書は、この２冊本のマケットの精緻な復元であり、ジョシュア・チュアン（ニューヨーク公共図書館ウォラック記念アート部門アソシエート・ディレクター）とヒントン実結枝（アート・リサーチャー）による研究論文に加え、初版本の写真集『地図』の制作をめぐる川田自身の詳細なインタビューを収録している。\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/krArpYWPbuI\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":50158378615076,"sku":"9781912339716","price":500.0,"currency_code":"AUD","in_stock":true},{"title":"Signed","offer_id":50158378647844,"sku":"9781912339716S","price":550.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/cover602_f366c2de-1bfc-41f8-9268-087de86a5c59.jpg?v=1726247563"},{"product_id":"guido-guidi-br-in-veneto-1984-89-special-edition","title":"In Veneto, 1984-89 Special Edition","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #2b00ff;\"\u003ePlease note: Rare edition - any orders containing this title will be shipped from the UK, and may be subject to additional charges upon delivery.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003c\/span\u003e\u003c\/strong\u003eGuido Guidi’s new book,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eIn Veneto 1984-89\u003c\/em\u003e, opens with a big eye framed in the blind of a shop window in Mestre, an eye which, by opening like a sort of warning, announces the origin of photography itself. This book contains a selection of hitherto unpublished photographs that Guidi took between 1984 and 1989, using a Deardorff 8X10. This was the first time he had used a large format camera for a whole project, which concentrated on an area in the central Veneto, an area known for having rapidly turned into a deeply uncertain, marginal la ndscape, one intimately hierarchy-free. The places he visited, in the provinces of Treviso, Vicenza, Padua and Venice, seem to be almost part of the same drawing, of the same place, bearing stark testimony to the process of change that has led to the transformation of a huge rural area, driving it into a form of fragmentation known as urban spread. The photographs in these much-loved places seem to re-evoke the three truths described by Robert Adams in “Beauty in Photography”: geography, biography, and metaphor.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855161368868,"sku":"9781912339624SE","price":530.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/cover301.jpg?v=1737800228"},{"product_id":"family-kazoku-special-edition-br-masahisa-fukase","title":"Family Special Edition","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003c\/span\u003e\u003c\/strong\u003eEmbossed hardback bound in red \u003cspan\u003ebuckram, housed in a silkscreened sleeve. Collotype print produced by Japanese atelier Benrido. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePrint size: 26 x 17 cm [Image size based on Fukase's original contact prints]\u003c\/p\u003e\n\u003cp\u003eLimited edition of 150 copies, each comprising of a first MACK edition book and print \u003cspan\u003e[both numbered and stamped by the Masahisa Fukase Archives].\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003e‘\u003c\/i\u003eMy entire family, whose image I see inverted in the frosted glass, will die one day. This camera, which reflects and freezes their images, is actually a device for archiving death\u003ci\u003e’\u003c\/i\u003e. – Masahisa Fukase\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor three generations the Fukase family ran a photography studio in Bifuka, a small provincial town in the northern Japanese province of Hokkaido. In August 1971, at the age of 35, Masahisa Fukase returned home from Tokyo, where he had moved in the 1950s. He realised that the Fukase Photographic Studio, which his younger brother managed, combined with the growing family members, constituted the perfect subject for a series of portraits. Between 1971 and 1989, he returned regularly and used the family studio, the large-format Anthony view camera and the changing family line-up as the basis for the series. True to his style, Fukase often introduced third-party models and humorous elements to juxtapose the ineluctable reality of time passing and the dwindling family group. He continued the series through his father’s death in 1987, up until the closure of the Fukase studio due to bankruptcy in 1989, and the consequential dispersion of the family.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eFamily (Kazoku)\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ewas released in 1991, and was Fukase’s last book. It begins with a photograph of the family studio and the following 31 images are family portraits made in the studio in chronological order. \u003cspan\u003eThe book includes an extensive \u003c\/span\u003e\u003cspan\u003etext\u003c\/span\u003e\u003cspan\u003e written by Fukase himself and a modern essay by Tomo Kosuga.\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855163957540,"sku":"9781912339570SE","price":850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/cover287_27f623c1-7d99-45f1-9a18-3812ae9cf0b6.jpg?v=1726246922"},{"product_id":"omaha-sketchbook-special-book-edition-br-gregory-halpern","title":"Omaha Sketchbook Special BOOK Edition","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cb\u003eSpecial BOOK Edition\u003c\/b\u003e\u003cb\u003e: \u003c\/b\u003e\u003c\/span\u003eLimited edition of 100 copies, each comprising of 152 C-type contact prints tipped-in to a handmade linen hardcover book, all housed in a slipcase. [Signed and numbered 1\/100 - 100\/100]\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e“Throughout his career, Gregory Halpern has explored the elusive, inchoate notion of Americanness. It is both a difficult subject and a lofty prospect for any photographer and it remains an absolutely essential line of investigation, particularly in the context of the current political maelstrom. Traveling to the nation’s heartland—a vague construct increasingly synonymous with the Bible belt—Halpern continues to mine this idea of Americanness in a place bounded by prairie and steeped in pioneer history. His work in the midwestern city of Omaha reveals America as pluralized, fragmented, and teeming with its own ‘brand of hypermasculinity’, as he terms it: adolescents on the cusp of promise or obscurity, land that seemingly leads to nowhere, a sense of unending time and a dark side to domesticity. Halpern’s efforts to visualize America yield an opportunity to learn about the country by staring back at images of it that breed their own complexity.” – Amanda Maddox, J. Paul Getty Museum \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor the last fifteen years, Gregory Halpern has been photographing in Omaha, Nebraska, steadily compiling a lyrical, if equivocal, response to the American Heartland. In loosely-collaged spreads that reproduce his construction-paper sketchbooks, Halpern takes pleasure in cognitive dissonance and unexpected harmonies, playing on a sense of simultaneous repulsion and attraction to the place. Omaha Sketchbook is ultimately a meditation on America, on the men and boys who inhabit it, and on the mechanics of aggression, inadequacy, and power.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eSpecial PRINT Edition available \u003ca style=\"color: #ff2a00;\" href=\"https:\/\/mackbooks.co.uk\/products\/omaha-sketchbook-special-edition-br-gregory-halpern\"\u003ehere\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855164154148,"sku":"9781912339440SBE","price":1400.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/cover289_49e51272-f0b8-4e94-93e8-21c932cac685.jpg?v=1726246902"},{"product_id":"omaha-sketchbook-special-edition-br-gregory-halpern","title":"Omaha Sketchbook Special PRINT Edition","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cb\u003eSpecial PRINT Edition\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003e\u003cspan style=\"color: #ff2a00;\"\u003e:\u003c\/span\u003e \u003c\/b\u003eLimited edition of 150 copies, \u003cspan\u003eeach comprising a signed first edition of the book housed in a slipcase with a C-type print. [Signed and numbered 1\/150 - 150\/150]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e“Throughout his career, Gregory Halpern has explored the elusive, inchoate notion of Americanness. It is both a difficult subject and a lofty prospect for any photographer and it remains an absolutely essential line of investigation, particularly in the context of the current political maelstrom. Traveling to the nation’s heartland—a vague construct increasingly synonymous with the Bible belt—Halpern continues to mine this idea of Americanness in a place bounded by prairie and steeped in pioneer history. His work in the midwestern city of Omaha reveals America as pluralized, fragmented, and teeming with its own ‘brand of hypermasculinity’, as he terms it: adolescents on the cusp of promise or obscurity, land that seemingly leads to nowhere, a sense of unending time and a dark side to domesticity. Halpern’s efforts to visualize America yield an opportunity to learn about the country by staring back at images of it that breed their own complexity.” – Amanda Maddox, J. Paul Getty Museum \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor the last fifteen years, Gregory Halpern has been photographing in Omaha, Nebraska, steadily compiling a lyrical, if equivocal, response to the American Heartland. In loosely-collaged spreads that reproduce his construction-paper sketchbooks, Halpern takes pleasure in cognitive dissonance and unexpected harmonies, playing on a sense of simultaneous repulsion and attraction to the place. Omaha Sketchbook is ultimately a meditation on America, on the men and boys who inhabit it, and on the mechanics of aggression, inadequacy, and power.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eSpecial BOOK Edition available \u003ca style=\"color: #ff2a00;\" href=\"https:\/\/mackbooks.co.uk\/collections\/special-editions\/products\/omaha-sketchbook-special-book-edition-br-gregory-halpern\"\u003ehere\u003c\/a\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855164285220,"sku":"9781912339440SPE","price":850.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/cover288_9c536cff-2e9a-4a83-99ee-9980dc79be88.jpg?v=1726246870"},{"product_id":"mother-br-paul-graham","title":"Mother","description":"\u003cp class=\"m_429863461637332207m_3012714514051367662gmail-p1\"\u003eArtists drawing or painting their mother has become iconic in art history—from Whistler through Freud, Cezanne, Hockney, Ingres, Gauguin or Durer, whose brutally honest portraits of his mother insisted that \u003ci\u003e‘\u003c\/i\u003e\u003ci\u003eEven the smallest wrinkles and veins must not be ignored\u003cspan\u003e’\u003c\/span\u003e\u003c\/i\u003e. Paul Graham’s first major body of work since 2014’s\u003ci\u003e Does Yellow Run Forever?\u003c\/i\u003e contains portraits of his elderly mother sitting in her chair in a retirement community in England.\u003c\/p\u003e\n\u003cp class=\"m_429863461637332207m_3012714514051367662gmail-p1\"\u003eGraham’s camera hardly moves, with his mother asleep, eyes closed, in almost every image. Our palette is the gentle tones of old age—a flowered blouse, a pink or lavender cardigan—the light comes from a single daylight window, soft, natural and constant. With little attempt to photographically ‘entertain’ us, we begin to notice subtle shifts of carefully chosen focus, from one eye to another, to a loose thread on a button or a stray wisp of hair. Frozen in time, the fraying of life is expressed through modest details. Powerful emotional resonance arrives through tender observation. \u003c\/p\u003e\n\u003cp class=\"m_429863461637332207m_3012714514051367662gmail-p1\"\u003eMortality and the slow unraveling of late old age is the principal subject here, but there is also a duality at the core of these images: as we teeter between life and death, child and parent reverse roles—the watched-over becomes the watcher, the created becomes the creator.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"m_429863461637332207m_3012714514051367662gmail-p1\"\u003e\u003cstrong\u003eWatch Paul Graham's MACK LIVE Bookshelf Tour \u003ca href=\"https:\/\/mackbooks.co.uk\/pages\/live\" title=\"Alec Soth Bookshelf Tour MACK LIVE\"\u003ehere\u003c\/a\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855186010404,"sku":"9781912339457","price":320.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/cover248_9ba3d2be-8508-40de-9b5e-e91045572723.jpg?v=1726246245"},{"product_id":"bridget-smith-br-society","title":"Society","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003eSociety\u003c\/em\u003e documents the empty internal spaces of a variety of London clubs, from the Kurdish Community Centre, to the Masons, the Fabian Society, The Indian Workers Association and the National Association of Flower Arrangers. The photographs provide a resonant and evocative portrait of rich hidden worlds operating within the city, revealing the interior spaces where communities gather. The series explores how people express their identity, their interests and concerns to create their own worlds, expressed through artifact and architecture. The work produces a strange tension between public and private, between beauty and the everyday. Bridget Smith is a photographer who has an on-going interest in architecture and the public realm and the emotional resonance within built form. She has an international reputation for photographing interiors and landscapes devoid of people. These places have often been sites of public leisure (cinema auditoria) or private fantasy (themed hotel rooms, glamour studios). In Society Bridgets work starts shifting towards a preoccupation with people and the worlds they create\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855234277668,"sku":"9783865214058","price":270.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers173_050e6dda-35b4-4e3e-91c5-7d1cca98c9af.jpg?v=1726245987"},{"product_id":"there-i-was-br-collier-schorr","title":"There I Was","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cem\u003eThere I Was\u003c\/em\u003e marks a shift in medium and a conceptual departure for Collier Schorr. She is best known for her photographic studies of a real and imagined town in southern Germany, works which tease the accepted artifice of photography to forge an appropriated remembrance of German histories. Schorr found drawing a more acute medium to describe events that took place in the neighbourhoods of her childhood, specifically the muscle car counter culture of the 1960s in Long Island and Queens, NY. This history is related through the short but spectacular life of charismatic 19 year-old drag car racer Charlie Astoria Chas Synder and his 67 Ko-Motion Corvette. At the age of four Schorr accompanied her father, an automotive photographer and journalist, to a local race track where she watched Astoria Chas work on his car. A subsequent article followed, with the now eerie headline While Astoria Chas is doing his thing in Vietnam his friends are racing his L-88. By the time the article was published, Charlie Snyder had died in action in Vietnam. There I Was is Snyder's story and Schorrs dilemma. He was there, she was not. The project examines the role of the photograph as proof of the photographer's presence, territory and view, and the difficulty of representing any past without the theatricality of re-staging it. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBased entirely on photography, the book engages with the medium and simultaneously challenges the role of the photograph as document of the past. Using a collision of source materials for the drawings, beginning with her fathers images and Snyders own snapshots taken in Vietnam, Schorr then draws from professional reportage pictures, so as to describe, literally sketch out, one monumental trip from Queens to Vietnam and back. These drawings are contrasted by reproductions of vintage car magazine articles and Schorrs own photograph portraits. There I Was is a complex and multi-faceted look at escape, culture, dreams and mortality, conjuring up an expressionistic portrait of the dichotomies of the late 1960s in a fractured wartime America.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855238865188,"sku":"9783865216168","price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers174_69b8587b-e939-428b-ab18-db8ed1efc3ca.jpg?v=1726245972"},{"product_id":"reconstructing-space-br-michael-mack-ed","title":"Reconstructing Space","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cb data-stringify-type=\"bold\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003eGerman photography has led the world in the reassessment of our relationship to the urban and man-made environment. Themes such as the way we move through space, and our alienation from the world around us, are explored by artists including Bernd \u0026amp; Hilla Becher, Gosbert Adler, Laurenz Berges, Mona Breede, Johannes Bruns, Susanne Bruegger, Michael Danner, Thomas Demand, Christine Erhard, Andreas Gursky, Matthias Hoch, Candida Hofer, Thomas Ruff, Heiner Schilling, Matthias Schmidt, Michael Schmidt, Heidi Specker, Petra Wunderlich and Ulrich Wuest. The artists' portfolios are supported by a series of essays that set the work in a theoretical and historical context.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855251022116,"sku":"9781870890984","price":160.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers181_362ccb3d-0862-4216-bab3-ace944fcd319.jpg?v=1726245916"},{"product_id":"waiting-some-birds-a-bus-a-woman-br-anders-edstrom","title":"waiting some birds a bus a woman","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eWith a highly original approach to photography, Anders Edström creates small sequences of sparse images which elaborate a filmic narrative of inconsequential moments, stories of moments in between moments. As Curtis Winter writes in the introduction to this artist's book, \"They appear as the aftermath of some wire brush cleaning of a slate. To which elements were slowly added. Family, some nature, friends, a bit of community, d cor. Images pulled from the gaps between changing nappies, having meals, talking, getting from here to there...\" \u003ci\u003eWaiting Some Birds a Bus a Woman\u003c\/i\u003e and \u003ci\u003eSpidernets Places a Crew\u003c\/i\u003eare two volumes which collect together some of these stories.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855252660516,"sku":"9783865210326","price":160.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/Waiting_Cover1.jpg?v=1742989769"},{"product_id":"record-pictures-br-michael-collins","title":"Record Pictures","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cb data-stringify-type=\"bold\" data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003eBefore the invention of photography, civil engineers employed topographic artists to record the progression of their projects. Termed \"Record Pictures\", these illustrations followed the tradition of the Dutch topographical landscapes of the seventeenth century, combining the qualities of detail and clarity with the objectivity of technical drawings. As such, Record Pictures had a scientific rather than an artistic purpose.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is exactly how photography developed in its infancy. Photography's prime value was regarded as its ability to make highly detailed, objective (and relatively inexpensive) records. Industry was quick to harness the new medium to make record pictures. Significantly, one of the founders of Britain's Photographic Society was a leading civil engineer. This original application gave rise to a genre of landscape photography that has not been properly recognised. Record Pictures: Photographs from the Archive of the Institution of Civil Engineers represents the photographic jewels of arguably the finest collection in Britain. Spanning a period of 75 years from the mid-nineteenth century, the book contains previously unpublished examples drawn from across Europe, Africa, Australasia, the Far East and Latin America. Record Pictures are the unacknowledged foundation of the history of photography. In his introductory essay, the author Michael Collins demonstrates how this fundamental approach continues unchanged, only now it is no longer industry that applies these principles but such eminent artists as Bernd and Hilla Becher and Thomas Struth, proponents of a contemporary art movement.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855253152036,"sku":"9783865210319","price":160.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers189_bcd8f20a-92bb-43d5-b606-8e986c5b51cb.jpg?v=1726245789"},{"product_id":"mark-dion-br-oceanomania","title":"Oceanomania","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cb data-stringify-type=\"bold\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003eAvailable in English and French\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003eOceanomania\u003c\/em\u003e investigates the evolution of our fascination with the sea, in time and space, design, literature and art, revealing how the uncanny and marvelous have inspired artistic research. Continuing his investigations as a naturalist, archaeologist and traveler, the American artist Mark Dion explored the collections of the Oceanographic Museum of Monaco to create a monumental curiosity cabinet and dived into the collections of the Nouveau Musée National de Monaco (NMNM) to present a major intervention at Villa Paloma, one of the NMNM's exhibition spaces. The accompanying publication, Oceanomania: Souvenirs of Mysterious Seas published by MACK and NMNM combines installation images from the exhibition, original artist imagery and essays from various writers exploring the different facets of the exploration of the seas and the challenges in exhibiting a marine world above sea level. Two significant and contrasting recent maritime events form the conceptual framework of Dion's project. These are the recently completed Census of Marine Life (2010) and the Deepwater Horizon oilrig explosion. The first brought together 2,700 scientists from 80 nations over a 10-year period to assess and explain the diversity, distribution and abundance of life in the oceans. The second, the Deepwater Horizon oilrig explosion led to 4.9 million barrels of crude oil being spilled into the seas of the Gulf of Mexico, producing an 80 square mile kill zone and causing extensive damage to marine life. Its consequences are expected to be felt for decades to come.\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"English","offer_id":50158382285092,"sku":"9781907946073","price":320.0,"currency_code":"AUD","in_stock":true},{"title":"French","offer_id":50158382317860,"sku":"9781907946110","price":320.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers192_4e58a12f-daf8-488b-994e-8aab78e7f0f0.jpg?v=1726245763"},{"product_id":"lets-sit-down-before-we-go-br-bertien-van-manen","title":"Let's sit down before we go","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eThe photos in this book have been made between 1991 and 2009 in Russia, Moldova, Kazachstan, Uzbekistan, Ukraine, Tatarstan, Georgia. The editing and sequencing of the images have been done by Stephen Gill. The title of these series, ‘Lets’s sit down before we go’, is a metaphor for the subject of the images. An old habit in Russia. Before leaving for a long journey, people sit down for a moment and think about where they will be going and why.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":50158382055716,"sku":"9781907946127","price":640.0,"currency_code":"AUD","in_stock":true},{"title":"Signed","offer_id":50158382088484,"sku":"9781907946127S","price":750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers166_9c1bb96c-d57b-45d8-9e66-ed14eab1384b.jpg?v=1726245730"},{"product_id":"films-br-paul-graham","title":"Films","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cem\u003eFilms\u003c\/em\u003e is Paul Graham's eulogy to the physical material of photography: Film. The 20th century's greatest medium has undergone a catastrophic decline over the past decade as digital cameras have swept aside the traditional process of taking photographs. Film has died: Kodacolor, Fujicolor, Tri-X, Kodachrome, Ektacolor - all evocative names for any photographer - are now gone or fading fast. Yet this magical material is a true product of both science: silver salts suspended in gelatin emulsion on celluloid base, and magical alchemy: it could capture light. Film became the defining material of 20th century creativity, and is ubiquitous to every great artist of photography and film making.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhile examining his past 30 years of work for the 2009 survey exhibition and book, Graham became enamoured with the material of his craft, and began to reflect upon the physical substance by which he, and all photographers, made their images. Besides scanning his images for the survey, he also scanned the blank film ends and unexposed frames from each body of work to gather an alternative survey, a 'negative retrospective' of his practice. What first appears to be abstract dots, blobs or colour forms, are in fact just greatly magnified images of the raw film emulsion - the color dye clouds formed in the exposure and development of film. These images are not abstract at all, but extreme close-ups of the film's structure - the red, green and blue dyes that form film emulsion, which comprise each and every celluloid image in existence. Their beauteous complication, the wonder of their granular form, irrespective of what they describe, is given here for us to enjoy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGraham presents us a timely tribute to the passing of film. The grains, color dyes and black and white crystals, make images of beauty, simplicity and scientific record. Part wistful homage, part farewell, part visual wonder, Films is a book for anyone who engaged with photographic material in the 20th century.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eWatch Paul Graham's MACK LIVE Bookshelf Tour \u003ca href=\"https:\/\/mackbooks.co.uk\/pages\/live\" title=\"Alec Soth Bookshelf Tour MACK LIVE\"\u003ehere\u003c\/a\u003e.\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855255609636,"sku":"9781907946028","price":215.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers167_1a5d7f52-3601-4d69-9ff6-e5262264edf1.jpg?v=1726245716"},{"product_id":"la-carte-dapres-nature-br-thomas-demand","title":"La Carte d'après nature","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cem\u003eLa Carte d'apres Nature\u003c\/em\u003e, published to accompany an exhibition curated by Thomas Demand at Nouveau Musée National de Monaco, takes its title from a short-lived art magazine created by René Magritte between 1951 and 1954. Magritte's publication ran for just fourteen issues and each consisted of a postcard, featuring loosely connected poetry, illustrations and short stories. In a similar fashion,Thomas Demand has selected artworks by eighteen artists that are related to each other in an associative manner.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe selected work is connected by two ideas: tamed nature and Surrealism as an artistic form fashioned by Magritte. Just as Magritte himself related ideas from different eras, Demand chose works by different generations of artists: Saâdane Afif, Kudjo Affutu, Becky Beasley, Martin Boyce, Tacita Dean, Thomas Demand, Ger Van Elk, Chris Garofalo, Luigi Ghirri, Leon Gimpel, Rodney Graham, Henrik Håkansson, Anne Holtrop, August Kotzsch, René Magritte, Robert Mallet-Stevens, and Jan and Joel Martel.\u003c\/p\u003e\n\u003cp\u003eThe book, designed by Thomas Demand and Naomi Misuzaki, takes Margritte's notion of free association further, combining the wide range of works into an elaborate exploration of the disjuncture between the representation of art and the representation itself. Christy Lange's engaging essay traces this idea that a representation of nature is always a simulacrum through the work of the different artists, for example, relating the surrealist resonance of Italian photographer Luigi Ghirri's 'impossible landscapes' to Margritte's playful canvases and Demand's photographs of his paper sculptures.\u003c\/p\u003e\n\u003cp\u003eTexts by Tacita Dean, Rodney Graham, Luigi Ghirri and Thomas Demand are threaded through the segue of images and the object is completed with a second book housed in an envelope neatly built into the back endpaper of the catalogue, a facsimile of a Luigi Ghirri manuscript for a small book of photographs.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855256068388,"sku":"9781907946011","price":530.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers194_e3bb028d-0b0f-4829-b38f-60fb7bbdc632.jpg?v=1726245695"},{"product_id":"the-present-br-paul-graham","title":"The Present","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eStreet photography is perhaps the defining genre of photographic art. Seminal \u003cem\u003eThe Present\u003c\/em\u003e is Paul Graham's contribution to this legacy. The images in this book come unbidden from the streets of New York, but are not quite what we might expect, for each moment is brought to us with its double - two images taken from the same location, separated only by the briefest fraction of time. \u003cem\u003eThe Present\u003c\/em\u003e is the third in Paul Graham's trilogy of projects on America which began with \u003cem\u003eAmerican Night\u003c\/em\u003e in 2003 and was followed in 2007 by \u003cem\u003ea shimmer of possibility\u003c\/em\u003e (winner of the Paris Photo Book Prize 2011 for the most significant photo book of the past 15 years). \u003cem\u003eThe Present\u003c\/em\u003e takes Graham's reputation as a master of the book form to new heights, employing multiple gatefolds to convey passages of time and the unfolding of urban life.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWatch Paul Graham's MACK LIVE Bookshelf Tour \u003ca title=\"Alec Soth Bookshelf Tour MACK LIVE\" href=\"https:\/\/mackbooks.co.uk\/pages\/live\"\u003ehere\u003c\/a\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Signed","offer_id":50158386381092,"sku":"9781907946189S","price":640.0,"currency_code":"AUD","in_stock":false},{"title":"Unsigned","offer_id":50158386413860,"sku":"9781907946189","price":600.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers196_8c7d4d41-94c5-43bc-a7ea-632ab7770ad9.jpg?v=1726245658"},{"product_id":"lick-creek-line-br-ron-jude","title":"Lick Creek Line","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eRon Jude's \u003cem\u003eLick Creek Line\u003c\/em\u003e, extends and amplifies his ongoing fascination with the vagaries of photographic empiricism, and the gray area between documentation and fiction. In a sequential narrative punctuated by contrasting moments of violence and beauty, Jude follows the rambling journey of a fur trapper, methodically checking his trap line in a remote area of Idaho in the Western United States. Through converging pictures of landscapes, architecture, an encroaching resort community, and the solitary, secretive process of trapping pine marten for their pelts, Lick Creek Line underscores the murky and culturally arbitrary nature of moral critique. With an undercurrent of mystery and melancholy that echoes Jude's previous two books about his childhood home of Central Idaho, Lick Creek Line serves as the lynchpin in a multi-faceted, three-part look at the incomprehensibility of self and place through photographic narrative. While Alpine Star functioned as a fictitious sociological archive, and Emmett explored the muddy waters of memory and autobiography, \u003cem\u003eLick Creek Line\u003c\/em\u003e finds its tenor through the sleight-of-hand structure of a traditional photo essay. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRon Jude was born in Los Angeles in 1965, grew up in the Pacific Northwest, and currently lives and works in Upstate New York. His photographs have been exhibited at venues such as Gallery Luisotti (Santa Monica), the Photographers' Gallery (London), the High Museum of Art (Atlanta), Proekt_Fabrika (Moscow) and Roth\/Horowitz Gallery (New York), among others. His work is in numerous collections, including the San Francisco Museum of Modern Art, George Eastman House, the New Orleans Museum of Art, and the Georgia Museum of Contemporary Art in Atlanta. Jude is the co-founder of A-Jump Books and the author of Alpine Star, Postcards, Other Nature and Emmett. He is represented by Gallery Luisotti in Santa Monica.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855257182500,"sku":"9781907946172","price":375.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/Lick_Cover1_e176587e-1ad7-48a1-9120-1bcfff98cd1e.jpg?v=1742989764"},{"product_id":"the-hidden-mother-br-linda-fregni-nagler","title":"The Hidden Mother","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eIn the vein of Francis Alÿs’s Fabiola and Andy Warhol’s Time Capsules, Linda Fregni Nagler has collected seemingly nondescript images and accumulated a meaningful archive, thereby giving them a renewed purpose and intensity.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Hidden Mother\u003c\/em\u003e is comprised of 1,002 photographs (from daguerreotypes and tintypes to cartes de visite and cabinet cards), all examples of a now redundant practice: to cloak or hide a parent within the background of a child’s portrait, a common procedure from the advent of photography up until the 1920s, when exposure times were relative slow, and a hidden parent was required to hold the child still. \u003cbr\u003e\u003cbr\u003eThese hidden mothers can be discerned in the background of every one of these portraits – looming behind their children, swaddled in blankets, carpets and brocades as they support their progeny as the central subject. The iterations vary, and in some instances the hidden mother is revealed as a single hand, while in others the child is seated on a shrouded figure, or the parent is quite literally hiding – ensuring that the child’s identity is transposed over their own. \u003cbr\u003e\u003cbr\u003eThe images hold a certain degree of comedy – albeit unintentional – because the viewer is asked to suspend their disbelief, to ‘not see’ the hidden figure. Some contemporary onlookers would have simply not seen the portrait’s hidden mother, indicative of the cultural nature of the act of seeing. For other viewers, the hidden figure was an essential part of the picture: high infant mortality rates meant that posthumous portraits were the norm, and thus the hidden mother would signify to the viewer that this child was alive. \u003cbr\u003e\u003cbr\u003eCreating and defining a sub-genre of photography, Fregni Nagler has accumulated images that repeat a particular gesture – the negation of the parent in the interest of the legibility of the child. The many themes bubbling under the surface of her collection are unified by the singular principle of effacement – as if this gesture speaks of the nature of parenthood itself, or of women’s place in a patriarchal society, where she is figured without an identity of her own. \u003cbr\u003e\u003cbr\u003eThe collection also confronts the inevitable self-effacing nature of the photographer and the collector. The artist herself seems to hover over these images like a mother – conserving and safeguarding these photographs; as collector, presenter and curator of the collection, Fregni Nagler herself becomes another hidden mother.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855257411876,"sku":"9781907946530","price":640.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers199_d9f495fa-daa2-4049-a90e-b059e8070783.jpg?v=1726245612"},{"product_id":"field-trip-br-martin-kollar","title":"Field Trip","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eBetween November 2009 and January 2011, Slovakian photographer Martin Kollar spent extended periods of time working and living in Israel, building a photographic dossier on one of the most contentious geographical zones of modern history. Kollar's past, a childhood spent behind the Iron Curtain, echoed unexpectedly during his time in Israel. The delineated territories of today's Israel mirror the partition walls of Communist Czechoslovakia during 'normalisation'. Random police searches and detentions piqued Kollar's sense of constantly being under surveillance and the subject of suspicion. Field Trip establishes an opaque representation of the life and landscape of Israel. Military presence looms heavily and the images are punctuated with anxiety. Butchered animals combine with uncertain portraits of Israeli residents and leave the viewer unclear where the military landscape ends and the civilian land begins. The work in Field Trip is just that - the result of a trip, an investigative and inquisitive one, tinged with paranoia, the result being a beautiful, stark, often humorous and complex photographic diary of a well-trodden land. This traumatic album epitomizes frontline photography. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMartin Kollar was born in Zilina, Czechoslovakia (now Slovak Republic). He studied at the Academy of Performing Arts Bratislava and has been working as a freelance photographer and cinematographer since he graduated. He has received several grants and awards, including the Fuji Film Euro Press Photo Award and the Backlight Photography Award in Finland. His work has been exhibited across the world, including Maison Europeen de la Photography Paris, France, Rencontres d' Arles in France, MOCA Shanghai China, Guandong Museum of Art in China and Month of Photography in Krakow. He has\u003c\/span\u003e\u003cspan\u003e published two photography books, Nothing Special (2008) and Cahier (2011).\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":50158379860260,"sku":"9781907946486","price":150.0,"currency_code":"AUD","in_stock":true},{"title":"Signed","offer_id":50158379893028,"sku":"9781907946486S","price":215.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers202_a463aad0-ad8e-45e1-8421-ad62a83bffc5.jpg?v=1726245528"},{"product_id":"vanilla-partner-br-torbjorn-rodland","title":"Vanilla Partner","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTorbjørn Rødland's photography is direct but idiosyncratic, pushing at the boundaries of aesthetic and social norms. His fifth book, \u003cem\u003eVanilla Partner\u003c\/em\u003e, continues in this vein, combining images of fetishized isolation in a layout that rejects the linear structure of thematic photography books. Rødland's practice navigates through the problematic and seemingly unchanging heart of popular photography. Accepting neither the humanist realism of most photographic portraiture nor the postmodern role-play, Vanilla Partner explores the cultural complexities and archaic foundation of contemporary image-making. Reconstructed scenes of ultrasoft BDSM read like twisted metaphors for photography's ability to freeze or capture. The book title, dripping in innuendo, also poses a question about the ambiguity of the relationship between the artist and his medium. Is Rødland acknowledging the medium's straight foundation or does he see himself dominated by it? Many of the images also have explicit political references, often linked to the 1980 US Presidential election. Vanilla Partner brings together works made in Oslo, Tokyo, Beijing and Rødland's current home, Los Angeles. Torbjørn Rødland was born in 1970 in Hafrsfjord, Norway. Since the mid-90s his photographs have been exhibited widely.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855263932708,"sku":"9781907946318","price":320.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers203_55af98ef-00f0-41ec-b9aa-91f06f1d64b6.jpg?v=1726245510"},{"product_id":"gathered-leaves-br-alec-soth","title":"Gathered Leaves","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #2b00ff;\"\u003ePlease note: Rare edition - any orders containing this title will be shipped from the UK, and may be subject to additional charges upon delivery.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003eAlec Soth’s reputation as one of the leading lights of contemporary photographic practice is largely predicated on the books he has published. This unusual catalogue accompanies a touring exhibition which uses the four major bodies of work which Soth has published as books since 2004 as the structural basis for both a mid-career retrospective and an investigation of Soth’s prescient understanding of the various and distinct applications of photography as a tool for storytelling across diverse media. The title of the exhibition comes from Walt Whitman’s poem\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSong of Myself\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e[1855] and references both the pages of his books gathered for consideration and the notion that his work is also a story about Soth himself.\u003c\/p\u003e\n\u003cp\u003eSoth's meteoric rise to international acclaim began with his first book,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSleeping by the Mississippi\u003c\/em\u003e, published by Steidl in 2004. The book has sold through numerous print runs and has long been out-of-print. It embodies not only a moment in which a new and original voice emerged with an unusual ability to transpose subtle and highly personal stories of local American life, but also marked a significant early event in the photo-book publishing boom we are currently experiencing. The success of his two subsequent volumes,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNiagara\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e[2006] and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBroken Manual\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e[2010], combined with the hugely influential exploration of self-publishing under his Little Brown Mushroom imprint, have all reinforced Soth’s position as a master of the book form. The recent success of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSongbook\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e[2015] has seen a return to the mainstream of book publishing.\u003c\/p\u003e\n\u003cp\u003eThis catalogue is a special object, bringing together an essay by Aaron Schuman spread across 29 large format postcards, with mini facsimile versions of Soth’s 4 books, all housed together in a luxurious printed and embossed clamshell box.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eBox\u003c\/span\u003e:\u003cbr\u003eEmbossed cardboard box with 4c printed paper cover and interior printed 1c. [228 mm x 223 mm]\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003ePostcards\u003c\/span\u003e:\u003cbr\u003e29 large format postcards printed one side with the images from the exhibition. With an essay by Aaron Schuman spread across the backs of the cards. One additional card printed with an introduction by Kate Bush, curator of the exhibition and Director of Media Space, London.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFour mini facsimile books\u003c\/span\u003e:\u003cspan\u003e \u003cbr\u003e\u003c\/span\u003e\u003cem\u003eSleeping by the Mississippi\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e[113 mm x 108 mm]\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eNiagara\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e[109 mm x 128 mm]\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBroken Manual\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e[86 mm x 112 mm]\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSongbook\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e[113 mm x 108 mm]\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWatch Alec Soth's Bookshelf Tour \u003ca href=\"https:\/\/mackbooks.co.uk\/pages\/live\" title=\"Alec Soth Bookshelf Tour MACK LIVE\"\u003ehere\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":50158380286244,"sku":"9781910164365","price":320.0,"currency_code":"AUD","in_stock":true},{"title":"Signed","offer_id":50158380319012,"sku":"9781910164365S","price":325.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers204_12e16f2b-fc17-4fa9-97e6-b6a34de1475e.jpg?v=1726245493"},{"product_id":"elementary-calculus-br-j-carrier","title":"Elementary Calculus","description":"\u003cp\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cb data-stringify-type=\"bold\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003eJ Carrier has had a nomadic lifestyle, moving from Washington D.C. to Ecuador, and then to Africa and the Middle East, every move taking him further from his friends and family. During his time in Israel, Carrier began to feel an affinity with the migrants who had landed in the dusty city of Tel Aviv, relating to their experience as an outsider, someone far from home. Elementary Calculus, through a series of portraits, landscapes and still life photographs, observes the publicly private moments of these peregrine foreigners as they attempt to connect back to their homes. In his documentation of migrants and refugees in Tel Aviv and Jerusalem, Carrier explores the distance between reality and desire - the want for what was and the hope for what will be - and traces the manner in which we navigate the points between the unknowns. His photographs resonate with the sense that in a foreign country geographical distance loses its physical measure and home feels like a hazy memory, a half-remembered dream. Carrier's subtle yet striking images of Israel and the West Bank throw up more questions than they answer. What does this influx of foreigners mean in a nation that is defined by ethnicity and competing claims of ownership? And how does this complex situation affect these new varieties of refugees? Is there promise in this land for them? \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAfter graduating with a degree in biological sciences, J. Carrier became a drummer in a punk-rock band. He spent most of the past decade living and working in Africa and Israel and now lives in Brooklyn, NY with his wife. He won the fine art award in the New York Photo Awards in 2010, was the Grand Prize Winner at the National Geographic Traveller \/ PDN \"World in Focus\" awards in 2010, and was nominated for the Santa Fe Prize for Photography in 2011.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855264293156,"sku":"9781907946233","price":150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers205_722937c3-2ddf-43ab-972c-dae375572bcf.jpg?v=1726245471"},{"product_id":"james-welling-br-light-sources-1992-2005","title":"Light Sources: 1992—2005","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cb data-stringify-type=\"bold\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003eLike much of Welling's work, \u003cem\u003eLight Sources\u003c\/em\u003e taps into memories and emotions in the viewer, about darkness, strange places, and the wonder of that which attracts us for reasons unknown. It is a trope for the seductions of the quickly glimpsed, the half remembered, the partially understood, qualities that Welling wants to hold up, examine, and admire without piercing the fragile surface of their own fugitive grace. Carol Squiers, Artforum, 1998 American artist James Welling creates work which challenges the technical and conceptual bounds of photography. In his abstract photographs of the 1980s he usually employed simple materials, like crumpled aluminum foil, draped fabric and pastry dough. Then in 1992 he began the series Light Sources, an open-ended accumulation of diverse portraits, landscapes and interiors. All these photographs indirectly refer to the process of perception and while many of the objects literally transmit light, the series acknowledges that everything we see reflects light and is also a source of light. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJames Welling was born in 1951 and raised in Hartford, Connecticut. After studying sculpture at Carnegie-Mellon University from 19691971, Welling transferred to the California Institute of the Arts, where he worked primarily in video. In 1978 he moved to New York and began taking abstract photos of aluminum foil. His work has appeared in over sixty solo and group exhibitions, and is currently represented in many public collections, including those at Museum of Modern Art, New York; Metropolitan Museum of Art, New York; and Whitney Museum of American Art, NY, among others. Welling is the recipient of a National Endowment for the Arts Fellowship. He has taught at the Massachusetts Institute of Technology and at the University of California, Los Angeles. Since 1995 Welling has lived in Los Angeles, where he is area head of photography in the Department of Art at UCLA. Co-published with steidlMACK, London.\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855264522532,"sku":"9783865218599","price":110.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers206_23df253e-267c-4838-a0ac-fd05b1cc5e2b.jpg?v=1726245456"},{"product_id":"neighbours-nachbarn-br-collier-schorr","title":"Neighbours Nachbarn","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cb data-stringify-type=\"bold\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003eAmerican photographer Collier Schorr has been working on and off in Southern Germany for the past 12 years, compiling a documentary and fictional portrait of a small town inhabited by historical apparitions. For Schorr, the German landscape is a map of her own history, both imagined and inherited. Combining the overlapping roles of war photographer, traveling portraitist, anthropologist and family historian, in this series, entitled \u003ci\u003eForests and Fields\u003c\/i\u003e, Schorr tells the interwoven stories of a place and time determined by memory, nationalism, war, emigration and family.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855268028708,"sku":"9783865213037","price":270.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers209.jpg?v=1737258970"},{"product_id":"white-planet-black-heart-br-torbjorn-rodland","title":"White Planet Black Heart","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eTorbjørn Rødland is to photography what the Pet Shop Boys are to pop: a master of the delicately orchestrated cliche overload, a surcharge of the too obvious, too cute or too insane, played to the point where, drained of all trace of common sense, it suggests a new sense of silence, of mystery. \u003c\/span\u003eRødland has a knack for producing images that make you ask what are, in fact, appropriate motives for art photography: Images of single audio or video cassettes? Bleak black-and-white renditions of countryside churches? George W. Bush's favorite ice cream? A black banana? Girls and pets, pets and girls? He creates a complex of readings that inveigles the viewer into spending time with each single image, to reconsider its meaning and relevance. White Planet, Black Heart makes no excuses as it reinvents the romantic impulses of popular culture. This is \u003cspan\u003eR\u003c\/span\u003e\u003cspan\u003eø\u003c\/span\u003e\u003cspan\u003edland\u003c\/span\u003e's first book.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855268290852,"sku":"9783865212221","price":160.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers210_2f685910-854f-4109-8efe-517591dd978a.jpg?v=1734693930"},{"product_id":"i-want-to-live-innocent-br-torbjorn-rodland","title":"I Want To Live Innocent","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003eWith \u003cem\u003eI Want to Live Innocent\u003c\/em\u003e, Torbjørn Rødland takes a break from the nomadic lifestyle reflected in his first book and returns to Stavanger, the city he grew up in. He doesn't revisit old haunts and the images aren't dominated by the geography of the region but Stavanger becomes a generous theatre for Rødlands exploration of the incongruous complexities both of his own mind and that of our culture. The centre of Norways oil industry, this Protestant coastal city has seen a tremendous economic growth since the late 1960s and Rødland utilises a diverse array of pictorial languages to reflect on the paradoxes which arise with the addition of newfound wealth and materialism. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTorbjørn Rødland was born in 1970 in Stavanger, Norway. Since the mid-90s his photographs and experimental video works have been exhibited extensively. Rødlands White Planet Black Heart was released in 2006 by SteidlMack. I Want to Live Innocent is co-produced by Stavanger2008 European Capital of Culture. \u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855268684068,"sku":"9783865216175","price":160.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers211_bc421065-231d-4fa8-9ad2-66df3f20f1da.jpg?v=1733022703"},{"product_id":"a-shimmer-of-possibility-first-edition-br-paul-graham","title":"a shimmer of possibility (first edition)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cb data-stringify-type=\"bold\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003eInspired by Chekhov's short stories--and by his own contagious joy in the book form--photographer Paul Graham has created \u003c\/span\u003e\u003ci\u003eA Shimmer of Possibility\u003c\/i\u003e\u003cspan\u003e, comprised of 12 individual books, each a photographic short story of everyday life. Some are simple and linear--a man smokes a cigarette while he waits for a bus in Las Vegas, or the camera tracks an autumn walk in Boston. Some entwine two, three or four scenes--while a couple carry their shopping home in Texas, a small child dances with a plastic bag in a garden. Some watch a quiet narrative break unexpectedly into a sublime moment--as a man cuts the grass in Pittsburgh it begins to rain, until the low sun breaks through and illuminates each drop. Graham's filmic haikus shun any forceful summation or tidy packaging. Instead, they create the impression of life flowing around and past us while we stand and stare, and make it hard not to share the artist's quiet astonishment with its beauty and grace. The 12 books gathered here are identical in trim size, but vary in length from just a single photograph to 60 pages of images made at one street corner.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWatch Paul Graham's MACK LIVE Bookshelf Tour \u003ca href=\"https:\/\/mackbooks.co.uk\/pages\/live\" title=\"Alec Soth Bookshelf Tour MACK LIVE\"\u003ehere\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855268880676,"sku":"9783865214836","price":2125.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers184_df0add06-9938-4ffc-82a4-1c15aee81e57.jpg?v=1726245335"},{"product_id":"end-of-an-age-br-paul-graham","title":"End of an Age","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong\u003ePlease note: Rare edition - any orders containing this title will be shipped from the UK\u003cb data-stringify-type=\"bold\"\u003e, and may be subject to additional charges upon delivery\u003c\/b\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePaul Graham is one of the best photobook makers ever (\u003cem\u003eBeyond Caring\u003c\/em\u003e, \u003cem\u003eTroubled Land\u003c\/em\u003e, \u003cem\u003eA1: Great North Road\u003c\/em\u003e, \u003cem\u003ea Shimmer of Possibility\u003c\/em\u003e, \u003cem\u003eNew Europe\u003c\/em\u003e). In \u003cem\u003eEnd of an Age\u003c\/em\u003e, British photographer Paul Graham captures the threshold moments that mark the ending of adolescence – the small slice of time between youthful indulgence and the emerging awareness of adult responsibilities. His photographs resonate between these two poles: between full-on consciousness and escape; between staring the world in the eye or shying away; between seeing the world with shocking clarity and the desire to hide oneself from that reality: turn away, get drunk, close your eyes, get stoned. It is a situation that each of us knows and remembers all too well as a traumatic time. And it is often the threshold of a profound psychological transformation – a chartless sea in which one might successfully navigate, get becalmed, or simply drown.\u003c\/p\u003e\n\u003cp\u003ePaul Graham’s pictures consider this point in one’s life and reflect upon its trauma, uncertainty, and pain. The photographs alternate between ultra-sharp direct flash images, where every detail is minutely recorded, and the opposite extreme with loose available-light photographs saturated with colour, blurred and sometimes poorly focused.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWatch Paul Graham's MACK LIVE Bookshelf Tour \u003ca title=\"Alec Soth Bookshelf Tour MACK LIVE\" href=\"https:\/\/mackbooks.co.uk\/pages\/live\"\u003ehere\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855269110052,"sku":"9783908247173","price":320.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers214_c5679359-65bd-4791-98aa-bc1f3a6dc675.jpg?v=1726245327"},{"product_id":"american-night-br-paul-graham","title":"American Night","description":"\u003cp\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cb data-stringify-type=\"bold\"\u003e\u003c\/b\u003e\u003c\/span\u003ePaul Graham's photographs touch upon the social fracture of America - the great divide between the included and excluded, blacks and whites, haves and have-nots. Taking on a simple topic, of late dealt with only through cliché photojournalism, American Night embraces neglected territory in a series of shocking images that sit on the fence between art and document. Graham's images blind and overwhelm the viewer with a feeling akin to stepping out of a sheltered place and into the sunlight.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDrained of color, shadow and form, they resonate with the lives of those they portray... and then the sequence snaps, either to a vibrant full-color image of a freshly minted dream house, complete with a blue sky and green grass of unattainable perfection, or to an intensely dark street portrait... before returning to the endless blinding whiteness of everyday life. Beyond their paucity or wealth of color these images contrast one another in their content: These perfect homes are unobtainable to those walking in the burnt landscape; they are a mirage, a dream or promise that can almost never be reached. Here is the chasm between promise and actuality, hope and reality, dream and truth. Shot between 1998 and 2002 in locations across America, including Los Angeles, Memphis, Detroit, New York City and Atlanta.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eWatch Paul Graham's MACK LIVE Bookshelf Tour \u003ca title=\"Alec Soth Bookshelf Tour MACK LIVE\" href=\"https:\/\/mackbooks.co.uk\/pages\/live\"\u003ehere\u003c\/a\u003e.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855269273892,"sku":"9783882439199","price":215.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers215_f724503d-2913-4a90-8e35-0f8e3f7bc637.jpg?v=1726245307"},{"product_id":"rockaway-ny-br-roe-ethridge","title":"Rockaway, NY","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eThe mood of Roe Ethridge's \u003c\/span\u003e\u003ci\u003eRockaway, NY\u003c\/i\u003e\u003cspan\u003e suggests a nostalgic depiction of scenes from a coastal village. The snow-covered boardwalk, the cemetery, the shops in town, and a quiet street in late summer all appear at first glance to be genre scenes, revealing Ethridge's casual application of diverse pictorial modes and themes. The locales blend, imitate and disguise one another. Photographed in disparate geographical sites, from St. Barts to upstate New York, Ethridge plays the roles of both a thematic archivist and a wandering narrator, mapping an uncertain ground in which it is unclear if the representation is a blank image, nothing more than the sum of it's surface, or the fountainhead of some deeper significance. In 2003, Ethridge was given the cover of the October issue \u003c\/span\u003e\u003ci\u003eArtforum\u003c\/i\u003e\u003cspan\u003e. Kate Bush wrote, \"As technically adept as a commercial photographer yet as thoughtful as a Conceptualist about photography's role and meaning in the modern world, Ethridge believes the ubiquity of the photograph and the instantaneity of its transmission and reception in this age of increasing \"ecstatic communication\" is to be embraced rather than mourned. In his work there appears no cause and no ending, no discrimination between editorial and art, between document and construct, between technology and affect.\"\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eRoe Ethridge\u003cspan\u003e was born in Miami in 1969 and currently lives and works in New York. His work has been exhibited widely in museums and galleries across the U.S. and Europe--most recently in solo shows at the Institutes of Contemporary Art in Boston, Palm Beach and Philadelphia, as well as at Gagosian Gallery, Los Angeles, Andrew Kreps, New York and Greengrassi Gallery, London.\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855269306660,"sku":"9783865214850","price":160.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers216_5ba16a49-3995-4bee-99b2-22d85898c886.jpg?v=1726245286"},{"product_id":"nationalgalerie-br-thomas-demand","title":"Nationalgalerie","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003eThomas Demand's work lures the viewer into a reality that is not what it appears to be. His images present scenes of political and social events, which the artist recreates out of paper and cardboard, in a scale that is true to the original size of the setting. Demand then photographs these sculptures, creating images in which specific traces of the events and the protagonists are removed, leaving possible evidence of a crime scene, one which appears familiar but yet out of reach. The exhibition and book Nationalgalerie brings together Demands work of the last 15 years which is rooted in German imagery. Demand examines the Deutschlandbild, the German image in photographs from a variety of scenarios in the post-war period. From a selection both known and new of key images of decisive political events and private moments Demand offers a kaleidoscopic vision of a society.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eGerman language only\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855271305508,"sku":"9783865219411","price":215.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers217_c5badc85-ce81-44f1-951d-3d611b5f331f.jpg?v=1726245280"},{"product_id":"soho-br-anders-petersen","title":"Soho","description":"\u003cp\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cb data-stringify-type=\"bold\"\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cspan\u003eThe Soho described by Robert Louis Stevenson in The Strange Case of Dr. Jekyll and Mr Hyde as ‘a district of some city in a nightmare’ is dramatically different to the one discovered in 2011 by renowned Swedish photographer Anders Petersen. As part of a series of off-site artist commissions supported by Bloomberg, Petersen was invited by The Photographers’ Gallery to undertake a four-week residency in the bubbling creative underbelly of London. Turning his direct and unflinching gaze to the streets of Soho, Petersen produced a series which is both penetrating and sensitive to his subjects. His intimate, diaristic style of coarse black and white photography captures the essence of today's Soho while drawing you back into the depths of its history.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor a month Petersen immersed himself in the life of the famous London district, documenting the streets, pubs, cafes and private homes of the residents. This latest instalment of his series City Diaries is a testament to the dynamism and diversity of the area and the people who frequent and live in it. \u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855271600420,"sku":"9781907946226","price":425.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/Soho_Cover1.jpg?v=1742989762"},{"product_id":"people-in-trouble-laughing-pushed-to-the-ground-br-adam-broomberg-oliver-chanarin","title":"People In Trouble Laughing Pushed To The Ground","description":"\u003cdiv title=\"Page 3\" class=\"page\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eExamining the Belfast Exposed archive, Broomberg and Chanarin worked with contact sheets documenting the Troubles in Northern Ireland. They excavated layers of interventions by photographers, community groups, researchers and archivists, revealing that we learn as much about the people charged with looking after this resource as the people portrayed in it.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 3\" class=\"page\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855272616228,"sku":"9781907946042","price":200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/covers169_326bb9f0-f0a5-4fcd-99fd-0dae82b34544.jpg?v=1726245186"},{"product_id":"the-swamp-br-sofia-borges","title":"The Swamp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003eWinner of\u003cspan\u003e \u003c\/span\u003ethe\u003cspan\u003e \u003c\/span\u003e2016 MACK First Book Award\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“Reality as mud as dense as air” reads the spine of Sofia Borge’s book The Swamp, and equally, the series of photographs that she presents is as leaden as it is impenetrable. Spanning a seven-year period, it largely records Borges’ countless visits to natural history museums, zoos, aquariums and research centres where the artifice of reality became her point of focus. For Borges, displays such as dioramas serve as the ultimate form of representation, where objects have the virtuous task of representing “themselves” – a type, genre or group that is inherently bound to language through layers of history and meaning. As a motionless walrus lies in its plastic Antarctic locale and the beady eye of a fossilised bird catches your glance, what glares back at you from the depths of The Swamp is not the thing itself, but the image, of an image, of an image.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003e“What I seek are images, which, in their very artifice, are able to present themselves as a problem”, Borges has said. Beyond the comical absurdity of museological spectacles that spawn the living dead,\u003c\/span\u003e\u003cspan\u003eThe Swamp \u003c\/span\u003e\u003cspan\u003etakes aim at the notion that images can be “read”. Taking inspiration from the insoluble language of Beckett on the one hand, and the cinematic mind-twists of Lynch on the other, Borges disrupts logical processes of comprehension, offering seemingly random sequences of images, whose monstrous forms and coarse surfaces purposefully assault the senses.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSofia Borges (b. 1984) is a Brazilian-born artist living between Paris and São Paulo. As winner of the 2016 First Book Award, her first photography book \u003c\/span\u003e\u003cspan\u003eThe Swamp \u003c\/span\u003e\u003cspan\u003ewas published by MACK. She has exhibited in solo and group exhibitions across Europe and in South America, North America, China, and Qatar. 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Inspired in part by the annotations and images Bertolt Brecht added to his own personal bible, Broomberg and Chanarin's publication questions the clichés at play within the visual representation of conflict.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe signed edition is signed by Adam Broomberg and Oliver Chanarin. \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":50158380908836,"sku":"9781907946417_2","price":425.0,"currency_code":"AUD","in_stock":true},{"title":"Signed","offer_id":50158380941604,"sku":"9781907946417S_2","price":530.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/cover144_8ef2afc9-a95c-455a-b680-1ca8d5e05609.jpg?v=1730886116"},{"product_id":"museum-of-the-revolution-br-guy-tillim","title":"Museum of the Revolution","description":"\u003cp\u003eThese photographs were made on long walks through the streets of African capitals, including Johannesburg, Durban, Maputo, Beira, Harare, Nairobi, Kigali, Kampala, Addis Ababa, Luanda, Libreville, Accra, Dakar and Dar es Salaam, and the series takes its title from the Museum of the Revolution in Maputo, Mozambique, which is situated on the Avenida 24 Julho. The 24th of July 1875 marked the end of an Anglo-Portuguese conflict for possession of the territory that was decided in favour of Portugal. One hundred years later the name of the avenue remained the same because Mozambique’s independence from Portugal was proclaimed in June 1975 and now the 24th of July is Nationalisation Day.\u003c\/p\u003e\n\u003cp\u003eIn the \u003cem\u003eMuseum of the Revolution\u003c\/em\u003e, there is a panoramic painting produced by North Korean artists depicting the liberation of the capital from Portuguese colonial rule. It illustrates the rhetoric of a revolution as the leader and followers parade through the streets and avenues, laid out with grandeur by the colonial powers. These streets, named and renamed, function as silent witnesses to the ebb and flow of political, economic and social shifts of power and become a museum of the many revolutions that have taken place in African countries over the past 65 years.\u003c\/p\u003e\n\u003cp\u003eIn Tillim’s photographs, the streets of these African capitals reflect a new reality, distinct from the economic stagnation wrought by socialist policies that usually accompanied African nationalism, the reality of rebuilding and enterprise, and new sets of aspirations imbued with capitalistic values.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":49855291097380,"sku":"9781912339273","price":320.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/files\/cover164_1fa15f49-0862-4bb2-8cb7-2320e239bb1e.jpg?v=1726244644"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0897\/7865\/1428\/collections\/shedances3_600x_ef525b30-6c51-45f7-9348-0fc8fe4dd328.webp?v=1726261450","url":"https:\/\/www.mackpublishing.au\/collections\/rare-special-editions.oembed?page=4","provider":"MACK","version":"1.0","type":"link"}